• 9 Posts
  • 351 Comments
Joined 2 years ago
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Cake day: July 1st, 2023

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  • Paid products can be enshittified. Also, its not just the quality of products that are getting enshittified but the concept of ownership over usage and access to digital data.

    • Slowly raising sub rates with that boiling frog tek.

    • No longer providing means to purchase local copies of data on a CD-ROM when you did before, just to pigeon-hole buyers down a subscription only access to the cloud.

    • Not offering a one time lifetime subscription in your sub-only model.

    It used to be that you bought something and owned it physically or at least owned a private copy of the data that could be cracked/ stripped of DRM so you could truly freely own and distribute. Now they all want to be digital landlords where you own nothing and pay a little more each month through the good old boiling frog while pinning price increases on inflation. The mid-term result is a 100$/year to rent out digital access to a dictionary when before you could buy a cd copy.

    Also, I don’t buy the “academic quality things should be incredibly expensive because its meant for scholars and university libraries” argument. Fuck that grift man. I know server infrastructure. It cost less to update a database or serve thousands of visitors than you might think especially for simple database lookups sent through https.

    It also cost practically nothing to distribute a digital file. So, Free digital access to educational and reference materials output by universities realistically should be a right in any sane society. Im sure Oxford University gets enough tax breaks and gov subsidy they could do it without impacting the stock holders precious quarterly figures. That entire 12 volume OED set + SOED takes up 500mb and can be fit on every modern tablet and phone. It sure as hell could be fit on a CD ROM years ago when they made that. The only reason its not is greed and maybe the dopamine rush scholars get from filtering the plebs.


  • so why all the fuss about the inaccessibility of OED?

    Because the OED is the creme of the crop for dictionaries, particularly the SOED has some of the most well put together definitions of any dictionary for casual lookup. Because the 1200$ paywall they put behind the physical editions was always bullshit. Because they no longer have legitimate ways of purchacing a cheaper local digital copy when one was available before is bullshit.

    Sure, wiktionary or webster might have an entry for the word but if you do side by side comparisions betweeen dictionary theyre mid compared to OED/SOED. If your reaching for one the logic should be that you want the best/most accurate and descriptive one possible, no?

    I genuinely believe that universities have at least a moral obligation (HA!) to provide free public services that better humanity. These are places of education subsidized and given tax breaks by the government for gods sake, yet theyre so corrupt from the rich fucks that run them like a for-profit corporation.

    I would make an argument that free access to the highest quality dictionaries thats the gold standard for scholarly reference and similar such materials should be closer to a digital right than anything. In a better world academia pricing structures get fucked, knowledge becomes truly open through digital online and local reference resources without DRM.

    Of course, thats a pipe dream. So instead, I simply ask for the option of an updated CD rom to be released as a possible purchacing option in a DRM free format. You know, like they already did years ago.
















  • during the time I was born TVs were small square boxes powered by glass tubes and turny knobs. I want to say 480p but tbh if you were using a junky 10 inch display at the turn of the century on satallite it was closer to like 240p. The jump from square 480p to widescreen 720/1080 was an actual graphical revolution for most people in a very big way, especially for watching movies that were shot in wide. In terms of games 1080p is both where 16:9 took off and the point where realistic looking graphics meet acceptable resolution for like skin pours and godrays shit like that. GTA5, TLOU and RDR are the examples that come to mind from the AAA 1080p era and their original states still probably hold up today.

    When the 4k stuff finally came around and it was advertised as the next revolution I was excited man. However compared to going from 480 to 1080 it wasn’t a huge change tbh. It seems once you’re already rendering skin detail and individual blades of grass, or simulating atmospheric condition godrays, there isn’t much more that can be drastically improved just by throwing a billion more polygons at a mesh and upscaling textures. The compute power and storage space required to get these minimal detail gains also starts escalating hard. Its such bullshit that modern AAA games are like 80gb minimum with half of that probably being 4k textures.

    I will say that im like the opposite of a graphics snob and slightly proud of it so my opinions on 4k and stuff are biased. Im happy with 1080p as a compromise between graphical quality and compute/disk space required. Ive never played a 1080p at maximum graphics and wanted for more. Im not a competitive esports player, im not a rich tech bro who can but the newest upgraded gpu and 500tb of storage. I don’t need my games to look hyperrealistic. I play games for the fun gameplay and the novel experiences they provide. Some of the best games I’ve ever played look like shit and can be played on a potato. Most of the games I found boring were AAA beautiful open worlds that were as wide and pretty as an ocean but gameplay wise it was as deep as a dried up puddle. I hopped off the graphics train a very long time ago, so take my cloud yelling with a grain of salt.


  • I have no issue with remakes themselves. Games are a kind of art, and good art should be kept alive for the next generations to enjoy. The problem to me is:

    1. the only thing big studios now want to put out remakes/remasters of the backlog they already made because its a safe and easy cash grab. One of the top comments about there being 7 skyrims and 2 oblivions before ES6 is soo real man. Its like all the people who founded the companies who were responsible for creative novel design/story that gave big titles their soul in the 2000s no longer exist in the industry except a few indie devs. Now all big game companies are just run by business associates without a shred of humanity outsourcing everything for a quick buck.

    2. Graphics have plateud from late 2010s and onward. Remastered and remaked stuff made a lot more since for the ps2/xbox and backwards, with the ps3/x360 1080p resolution it made a little less sense but I could still understand them porting like TLOU to ps4 at 4k or whatever. But now were remastering games that came out 5 years ago at 4k and trying to sell it as some huge graphical overhaul worth the asking price. Maybe im insane or old but my eyes can barely tell the difference between 1080p and 4k, going from 4k to 8k is like the same picture with slightly different shaders.