• 0 Posts
  • 204 Comments
Joined 11 months ago
cake
Cake day: November 22nd, 2023

help-circle


  • As plenty of people have gone into the production pipeline, I’m gonna comment on the history of anime and manga and how that affects the way they’re produced, since I did a paper on it many years ago.

    Manga dates back at least to the era of woodblock printing, as a famous artist by the name of Hokusai released a collection of prints titled The Manga, but the manga we know today was actually originally inspired by serialized Sunday comic strips from American newspapers imported via South Korea. The comparison to modern Western comics is clear, but I think this connection to the Sunday comics is why production houses like Shonen Jump have their weekly releases which allows them to try out new artists and comics without as much risk as Western comic publishers would have starting a new series with a full comic debut. Manga books can be better thought of as anthologies of weekly comic strips like Calvin and Hobbes rather than superhero comics.

    Anime is very much inspired by Disney films, but both anime and manga target demographics of all kinds and every genre you can think of. I think this goes back to the woodblock prints of yore, which were an artform that had no particular demographic or subject matter, ranging from raunchy porn to advertising for theatre shows and anything in between. Add in the economic boom that Japan went through in the 80s just as anime was taking off - a time where money was so easy to come by in the industry that they were just greenlighting pretty much any project regardless of subject matter - and anime had no qualms about portraying adult themes like sex or body horror, as well as deeper musings like the common references to the atomic bombs and the deep cultural trauma that did to Japan.

    Also of note: America was actually one of the last places to be introduced to anime and manga, and it took a long time to take off here. The rest of the world was getting into anime during the 80s while Steven Spielberg is quoted as saying that a cartoon movie for adults would never take off in the US in reference to the theatrical release of Akira, the profits of which funded many of the most famous studios of the 2000s.

    In short, the cultural gulf between America and Japan divested the newspaper comic strip of its stereotype as a media for kids, which resulted in an artform that catered to all audiences and interests. And upon circling back to America decades later, this lack of the stereotype and willingness to show deeper stories found a niche that had been completely unattended to amongst the teens of the 2000s, who gobbled up media in a form that they had grown up with but treated with more respect than most kids’ cartoons. Also, it probably helped that many kids’ shows were created with the sole intent of selling more action figures.


  • By “abrupt,” I mean that Windows 7 ended service updates just last year, and Windows 10 will end next year. And by “current,” I mean that Windows 11 overtook 7 as the second most used version of Windows in 2022.

    We’ve known that they’re ending support for 10 next year for a few years, but that end of life timeline is very short compared to previous versions of Windows. If 10 had the same end of life timeline as 7, we’d be seeing service updates for 10 ending in 2030. And 11 may be the newest version of Windows, but it is by all means not the most used version and is most likely not the version currently being used by most people that this article is relevant to.





  • The underlying point misses why people have problems with the current AI bubble. I’ll cheer when they replace CEOs with AI - it seems like the best job to be replaced with LLMs and would save companies billions of dollars that could be used to improve the lives of workers. There’s tons of AI being used for all kinds of cool things already like spotting cancer in MRIs.

    The issue people have with AI isn’t the tech. It’s who’s making it and why. It’s not being used to make life easier and better, it’s being used to cut decent paying jobs and commodify part of the human experience, all while making big profits without paying the people whose work was stolen to make those profits.

    It’s just a different flavor of the fast fashion industry stealing high fashion designs and churning out their cheap knockoffs from factories in China where they don’t have to worry about things like safety standards or paying their workers a living wage.


  • Fun fact: After the adoption of electric lighting in homes became common, there was a massive increase in the demand for maids and cleaning services because people simply couldn’t see just how dirty their houses were when everybody was using candles.

    Another fun fact: With the introduction of the computer and similar technology into many jobs, productivity skyrocketed, but wages didn’t rise to match the increase in company profits. However, it was still viable for the average American household to live off of the wages of one 40 hour per week job. Today, the average American household requires at least 2 full-time salaries in order to survive, despite technology continuing to push productivity even higher and companies continuously reporting their most profitable year ever, year over year. Despite technology, the amount of work per household has effectively doubled or more over the past 60 years.



  • “When I was young, they told me that one day, AI would do the menial labor so that we would have more time to do what we love - like art, music, and poetry. Today, the AI does art, music, and poetry so that I can work longer hours at my menial labor job for lower wages.”

    Also, on point one, I still see a lot of job hirings for personal secretaries and people for data entry and to take minutes at meetings, and plenty of people complaining about not being able to actually talk to somebody on the phone to get their problem solved.


  • A lot of this started in the US because the big telecom companies were paid a lot of money by the government to roll out broadband in the middle of the country, where customers are spread out enough that they didn’t want to bother building the infrastructure, but they took the money and did none of the work. So, these communities did it themselves. Some of them literally burying fiber optics cables by hand through their farm fields.

    I remember reading somewhere a few years ago about how this is feasible on the neighborhood level now at potentially better speeds and cheaper than the telecom companies with a satellite connection that people can use via a wi-fi network across the neighborhood.



  • I really don’t understand how people use Instagram. I’ve tried, but it’s about 45% ads, 10-15% posts by people I don’t follow, it’s not in chronological order (or any sense of order for that matter), and regardless of whether I was on there yesterday or 2 months ago, it’ll show me about 40 posts before saying “You’re all caught up from the past 3 days!” and then refuse to show me any more.

    I guess this is why I’m here on Lemmy and went crawling back to Tumblr, one of the last vestiges of the old internet. At this point, I’d rather watch a platform die than become marketable to advertisers and shareholders.


  • This is why I said “you might as well do something worth the punishment.” In the US, protesting can get you more harsh sentences than crimes like assault or robbery. And not to “That’s, like, just your opinion, man” but…it’s just my opinion that their time would’ve been better spent blocking the street and holding up rush hour traffic or something for the punishment that they got. Like you said, it clearly worked because people are talking about it - and talking about it enough that the arguing in another post on this article got the post locked.

    I’m not here to rag on them. Again, there’s no “right way to protest,” and this is a noble cause to protest for.